These compositions have the dominant monumental form of minimalism, associated with other materials. The surfaces of the sculptures are interrupted by bezels filled with sand or with copper inserts being weathered in a differentiated manner to highlight human touch, but also the imaginary wear of time.
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- Contrasts II / patinated wood, copper / 1998
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- Contrasts I / patinated wood, copper / 1999
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- Contrasts III / patinated wood, sand / 2000
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- Box / patinated wood, sand / 2002
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- Contrasts IV / patinated wood, sand / 2003
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- Box / patinated wood, sand / 2003
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- Contrasts V / patinated wood, copper / 2004
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- Penetration / patinated wood, copper / 2004
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- Sign II / patinated wood, copper / 2004
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- Begining / patinated wood, sand / 2010
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- Sanctuary / patinated wood, sand, copper / 2011
